Check out Marcos Farhat's website: www.farhat.name. I usually don't put the name of the link in the link, but I just love that web-page name.
Anyhow, Mr., er, Señor Farhat is an Argentinian guitarist who has a few dozen classic rock intros, riffs, and solos in multiple camera angles. Twenty-five years ago, I would have been all over this (that's how old most of the songs are, hah!).
For now, the site is not riddled with popups (but it is available in multiple languages, which is cool). He is trying to make the site supported by advertising, donations, and the sale of his videos (which if you are dying to learn Metallica and Iron Maiden licks in higher resolution - it looks like a must).
Anyhow, if I ever go to Argentina, I would want to meet Marcos. From his C.V., it looks like he is about my age - and has impressive experience in music.
I wish I had the ability and the time to create a website to teach like that. My angle would be on teaching guitarists how to read music (a massive VOID in the music world). Sadly, the education of most guitarists is from chords to tabs. I'm not helping out yet, either...
--gh
Tuesday, June 13, 2006
Monday, June 12, 2006
Pot Transplant...
No, the title is not talking about getting the tomatoes out.
For such a cool guitar, the Gibson Les Paul really has some issues. Earlier this year I wrote about having the fingerboard planed correctly (it was an issue all along, and not due to time or warping). Well, on Friday I performed surgery on my 1979 Custom and replaced the volume and tone pots, as well as the tone caps. Here is what things looked like before (note the anemic looking caps).
I replaced everything with the wiring kit from RS GuitarWorks. I just measured the pots and they were:
Volume: 327k ohms & 217 k ohms
Tone: 87k ohms & 91k ohms
Those tone pots were probably fine, but those Vol pots were replaced with 500k pots, a BIG improvement. Also, check out this stock photo of the kit - I sure hope those $15 caps were worth it! (Hovland musicaps, lol.)
The thing is, the sound is vastly improved. I never liked using the tone pots on this thing (anything less than 10 sounded muddy). The volume control was dark as well when that was rolled back. A lot of people that make this modification also change out the pickups, replace the bridge and maybe even the tailpiece. When someone asks "was it improved" they say "yes, but I cannot tell how much the improvement is from the new components, or the pickups, or..."
I only made the changes in the wiring this time. I can honestly say that this improvement is only matched by getting new pickups. The difference is that striking. The sound is clear at all levels, and the tone knobs are now fun to use for the first time (in 27 years!).
So, if you have a guitar with questionable componentry - may I suggest this upgrade.
Here's a cool picture with all the wiring removed. You can see the date (Jan 9, 1978) as well as the color scheme ("NATURAL"). It's not really rare or anything, but I have always liked the fact that this guitar has no fancy paint job on it. Just a clear finish (no flame or quilt-top either, just boring maple). Neck is maple too, and not mahogoney. (The guitar's serial number says that it was completed on January 11, 1979[!] in Nashville TN - so you can see that things moved quickly in that plant then.)
Oh, and if guitar talk bores you, here's a picture I took on the way to work. Yes, that is a purple toilet with flowers in it. The sign says RELAY FOR LIFE on it, but I thought they do that in September around here...
--gh
For such a cool guitar, the Gibson Les Paul really has some issues. Earlier this year I wrote about having the fingerboard planed correctly (it was an issue all along, and not due to time or warping). Well, on Friday I performed surgery on my 1979 Custom and replaced the volume and tone pots, as well as the tone caps. Here is what things looked like before (note the anemic looking caps).
I replaced everything with the wiring kit from RS GuitarWorks. I just measured the pots and they were:
Volume: 327k ohms & 217 k ohms
Tone: 87k ohms & 91k ohms
Those tone pots were probably fine, but those Vol pots were replaced with 500k pots, a BIG improvement. Also, check out this stock photo of the kit - I sure hope those $15 caps were worth it! (Hovland musicaps, lol.)
The thing is, the sound is vastly improved. I never liked using the tone pots on this thing (anything less than 10 sounded muddy). The volume control was dark as well when that was rolled back. A lot of people that make this modification also change out the pickups, replace the bridge and maybe even the tailpiece. When someone asks "was it improved" they say "yes, but I cannot tell how much the improvement is from the new components, or the pickups, or..."
I only made the changes in the wiring this time. I can honestly say that this improvement is only matched by getting new pickups. The difference is that striking. The sound is clear at all levels, and the tone knobs are now fun to use for the first time (in 27 years!).
So, if you have a guitar with questionable componentry - may I suggest this upgrade.
Here's a cool picture with all the wiring removed. You can see the date (Jan 9, 1978) as well as the color scheme ("NATURAL"). It's not really rare or anything, but I have always liked the fact that this guitar has no fancy paint job on it. Just a clear finish (no flame or quilt-top either, just boring maple). Neck is maple too, and not mahogoney. (The guitar's serial number says that it was completed on January 11, 1979[!] in Nashville TN - so you can see that things moved quickly in that plant then.)
Oh, and if guitar talk bores you, here's a picture I took on the way to work. Yes, that is a purple toilet with flowers in it. The sign says RELAY FOR LIFE on it, but I thought they do that in September around here...
--gh
Friday, June 09, 2006
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